Grackles评论《山谷女孩》

瑞秋李导演登堡

来自吉·摩尔和坎德拉L.范德利普

在完全管状80年代风靡一时的经典山谷女孩(1983)由玛莎·柯立芝执导,她还执导了其他80年代的经典电影,比如《我的生活》真正的天才快乐的性。她的电影蔷薇(1991年)赢得了独立精神奖最佳导演,以及囊括黛安·拉德的独立精神奖最佳女配角,以及奥斯卡提名女主角劳拉·邓恩。2002年,柯立芝成为第一位女总统的导演的美国协会。的独立制作山谷女孩是她的突围电影,并帮助推出尼古拉斯·凯奇的职业生涯,以及把现代英语的“熔融以您”在排行榜的榜首。在山谷女孩,从山谷女孩,朱莉(德博拉·福尔曼),爱上了兰迪(尼古拉斯·凯奇),朋克男孩从好莱坞。朱莉的朋友不同意,并希望她与她的前男友,流行乔克,汤米(迈克尔·鲍文)一起回来。这部电影是命运多舛的恋人的一个十几岁的浪漫喜剧,并且,就像罗密欧与朱丽叶,他们的朋友希望把它们分开。然而,在青少年的欲望与爱的快乐的结局都达到高潮。

山谷女孩(2020)是崇拜翻拍经典并且通过拉结李Goldenberg的定向。Goldenberg的还涉及该膜Unpregnant采用,以及明迪项目以及其他的电视连续剧。翻拍山谷女孩有一个相似的前提。然而,这一次是通过倒叙来讲述的。成年的朱莉(艾丽西亚·西尔弗斯通饰)告诉她刚刚和女儿分手的她的初恋兰迪(乔什·怀特豪斯饰)。在闪回中,年轻的山谷女孩朱莉(杰西卡·罗丝饰)爱上了来自好莱坞的朋克男孩兰迪。朱莉的朋友们不赞成她和米奇(洛根·保罗饰)复合。这山谷女孩是一个点唱机音乐剧。

吉·摩尔:我真的很喜欢原来的。我喜欢原来的朱莉,和NIC凯奇兰迪。和朱莉的嬉皮dippie父母由弗雷德里克森林和科琳营播放。我是在上世纪80年代一个孩子,我以为一切都太酷和神奇。我喜欢MTV和青少年电影。我用唱现代英语中的“我融化与你”我梗狗,点测光。虽然我是在田纳西州的孟菲斯,我说像“完全,肯定的。”,听起来好像我是从山谷。我准备十分痛恨重拍。然而,我没有,至少不完全。我不知道是否是从锁定的寂寞,或者只是纯粹的怀旧,但我喜欢看翻拍,甚至当他们屠杀了一些我最喜爱的80年代的歌曲。 The remake even pushes a somewhat feminist point of view where Julie doesn’t want to only fall in love and marry, she wants a life, a career, she wants to blaze trails like Sally Ride. However, I still think the original is vastly superior.

肯德拉L.范德利普我和你的不同之处在于,几个月前,当地一家电影院放映了这部电影,我才刚刚接触到这部电影。我爱上了原版。尼古拉斯·凯奇饰演的兰迪用他的朋克风度偷走了我的心,黛博拉·福尔曼饰演的朱莉用她完全管状的时尚从屏幕上跳了下来。我同意你的看法,最初的版本还是更好的,在某种程度上,我可能没有料到。说到电影,像这样的翻拍,松散的重播,以及我们所熟悉和喜爱的比喻,真的是我的最爱。但在重拍中我遇到了很多困难。和你一样,我赞赏(并鼓掌)这部电影/音乐剧的女权主义重新塑造;尤其是对萨莉·莱德的欢呼,她代表了那个时代的女性所取得的进步。但是,在对这个故事进行现代化的美化和魅力中,我认为这部电影的一些关键元素丢失了。POC和LGBTQ+角色的引入让人感觉不够成熟,也没有足够的屏幕时间让他们融入到电影中,这似乎不只是高管们的一种策略。 But the biggest hurdle for me in this movie was Logan Paul, whose actions a few years ago of filming dead bodies in the famous Japanese “Suicide Forest” caused this movie to be shelved for two years before its release.

:一个响亮的是一切你刚才说。解决重拍之前,我要承认,原来是超白,甚至没有尝试向多元化,但肯定的,绝对翻拍感觉就像是检查的关闭盒的多样性,而不是被真正具有包容性。比洛根保罗等我希望有人扮演米奇。至少米奇是不是一个讨人喜欢的性格,他是一个非常平坦的一个音符的性格,所以很容易忽略他。许多与米奇的场景拖,我会发现自己伸手滚动通过我的手机,而不是与电影保持接触。我也爱杰克(梅·惠特曼)。我爱她唱歌琼杰特的“坏名誉”和亲吻的短头发的朋克女孩在她的第一场戏。但我想要更多。我希望她要像从原来的弗雷德(卡梅伦染料),以及一个奇怪的浪漫将她和斯泰西之间绽放。我们没有得到杰克和Karen(汪可盈)之间的光轻浮的俏皮话,但不足以为它是更不仅仅是一个选中的框。 Ashleigh Murray, the only BIPOC in the main cast, was excellent as Loryn. Her singing was the stand out in the movie. I also loved her dressed as Dolly Parton for the party, and her obsession with Janet Jackson (Janet wasn’t yet a billboard topper in 1983, but more critique on the film’s timeline later). But, it was still a very white movie, about upper middle-class white girls. So much more could have been done and should have been done. I think Ashleigh would have made a better Julie—her talent alone is enough to place her as lead. And Mae Whitman, a young woman, should’ve been Randy. That’s a film I’d love to see. Though, I did find Whitehouse adorable, and thought he captured the gentleness that the original Randy had.

坎德拉:我有点同意你关于铸造梅·惠特曼兰迪的怪事这部电影的潜力错失机会。It’s not a choice I would have made, because maybe that strays too far from the original narrative of the movie, but the more and more I think about it, it could have been a fantastic risk because Whitman captivated my attention, and the role she had gave her very little screen time. I didn’t like Whitehouse in the role of Randy and felt like there needed to be someone with a lot more charisma in that role. His biggest strength was the tenderness that he brought to the screen, but he felt like a watered-down version of the character I fell in love with a few months ago. I was especially sad when they modified one of his most iconic lines during the break-up scene between Whitehouse and Rothe’s characters by editing it for PG-13 standards. All that being said, I did end up enjoying the music, which was a pleasant change from the original. Not all of the musical scenes were knockouts, but the first one of The Go-Go’s “We’ve Got the Beat” was a strong introduction to the movie, and I was especially moved by the cast rendition of Queen’s “Under Pressure” in the preparation for prom, which felt timely for our current situation as well.

:有什么好笑的是,原来没有得到基于F-炸弹的R级。也不是为E.G.每日的乳房。十六支蜡烛,出来一年后(并有自己的问题与种族歧视和性别歧视),有一个赤裸上身淋浴场景和F-炸弹,但它被评为PG。关于某男性身体部分的女孩之间原有的明确讲它囊括了R级。然而,有PG-13在1983年存在了,原来很可能会被给定的评价,而不是R.我不同意关于新兰迪的缺陷,但我觉得它更多的脚本,而不是演员。我也想过罗特了坚实的业绩。我跳舞一路过关斩将“我们的节奏,”和赞赏的做得好的版本“迫于压力,”但我讨厌辛迪劳博尔蒙太奇。穆雷的声音是伟大的,我只是不喜欢的风格,我一直觉得“女孩只是想玩得开心”是一个十几岁的女孩反抗而不是默许的婚姻和家庭生活的郊区。虽然这首歌也变成十几岁的女孩叛乱时罗特唱称要在阳光女孩华丽的突破,我被其他女孩子唱的一出歌颂自己vapidity推迟。在原有的女生说像“总pukoid,”和事“tripendicular”,但在他们每个人的东西比较内向。E. G.每日的Loryn是谁是性的女孩,但也是复杂的。当她与托米右侧睡朱莉转储他之后,她正在寻求价值。 She’s insecure and wants the hot popular guy to like her. She didn’t want a one-night stand, and she hoped Tommy would make her his girlfriend. While of course that isn’t feminist, it is true. It is something girls struggle with especially in a world that places so much emphasis on the female body and ties a girl’s worth to her proximity to a man. What I mean is that Loryn wasn’t sneaky and wasn’t trying to hurt Julie. She was an insecure girl, and her actions hurt herself. We see her regret and shame afterwards. We see the interiority of Loryn. In the remake, while there are hints at the interiority, it isn’t nearly as developed. Part of this is the genre, the jukebox musical, which is often shallow, and shiny. The remake had a plasticity that the original did not.

坎德拉:我认为这是非常清楚的,我们是在同一个页面,我们都爱原来更多。我赞赏翻拍的意图,但感觉它只是没有提供我希望它会的方式。但重拍做顶礼膜拜从原来的几分钟,我的喜爱,如朱莉的市中心的首次访问,集中展示了不同文化共存是开创了兰迪和朱莉这样一个丰富的环境探索。完全RAD!此外,女权主义者复述有它自己的价值的时刻。I particularly enjoyed Rothe’s Julie starting to repurpose the punk look into her own fashion, with a black safety pin through her earring hole during the peak of her romantic friendship with Whitehouse’s Randy, allowing her to claim a part of his world for her own without losing her valley girl identity. But ultimately, the way the movie was written, cast and edited, really failed it. What we’ve lost in the remake are pertinent storylines about sexual assault, an authentic-ness to the punk culture that Randy grew up in, and no redemption for the “villain” of this story, Mickey. In addition to that, the editing of this movie was subpar at best and grotesquely forceful at times. Scenes were choppily cut when they weren’t the musical numbers. For example, the final scene in the ballroom has several moments where scenes are just pushed together with limited storytelling, forcing you to think about what you’ve just observed rather than appreciating the undersold moment of Rothe singing in the dark.

: 我同意。这部电影感到扔在一起。虽然很明显,这部翻拍本来是更加尊敬的(我的原朱莉爱客串),下跌短。重拍设置于1983年,但珍妮·杰克逊没有与释放炸毁MTV直到1986年控制和“拿上我”啊哈没有出来,直到1985年,人们普遍认为惹恼了我,就像整个情节线与现代英语的其他的东西,“我融化你,”但我会留下一个孤单。另外,如果朱莉是在1983年十七岁,怎么来的,她只是在她在开幕式现场,发生在现今四十出头?但是,我有最大的批评(这里来破坏者)与2020年的版本是兰迪充当推动力朱莉追求时装设计生涯(嗯,这是他们点头红粉佳人?),和朱莉是他搬到纽约,追求自己的音乐事业的动力。他叛逆的方式帮助茱莉找到她自己的机构,和朱莉的理想化的梦想和目标,帮助兰迪想要的东西不止在潜水酒吧与他的乐队只是在玩。在原有的,没有前途。他们是从山谷的不同侧面上的两个十几岁,他们喜欢对方。无论是不得不改变,或图什么就来下。未来是为大人和Randy和Julie只是高中生谁也无法看到,超出了舞会(或在喜来登舞会后)。有被扔进固定轨迹的成人世界前美丽的东西在,青春期的最后时刻。该original Randy and Julie lived for the moment, and didn’t need to think about college or career, or how they could fit into each other’s futures, and while neither film truly captured the punk aesthetic, not being concerned about the future (see “God Save the Queen” by the Sex Pistols) is very punk.

坎德拉我也希望这部电影能和年轻、理想主义的兰迪和朱莉在一起,因为对未来的关注只是推动故事向前发展的一种方式,而那一刻的出现正是使他们的爱情故事在银幕上如此凄美的原因。我真的很兴奋地看到这位导演将如何向新一代的观众介绍心爱的朱莉和兰迪。但是除了华丽的翻拍电影的浮华和魅力之外,剧本和演员的选择最终使这部电影成为我不急于再看的电影,这是一个遗憾。原版对我产生了持久的影响。

吉·摩尔在散文简洁,经文北,图表的喧嚣,熵,海马,威士忌岛,盐山,南新,兔唇,和其他人,以及在即将到来图片期刊酒店《亚美利加》。她的小说中可以找到便宜流行音乐点亮,霍巴特和工艺。她的文章出现在文集真相的机构:个人叙述的疾病,残疾和医学。她是公司的采访编辑yabosports官网新亚博网站

肯德拉L.范德利普出生于密歇根州Grand Rapids。她是目前UNT助教,并为即将到来的比赛散文阅读新亚博网站。她获得MFA来自孟菲斯大学,而她的BA从大峡谷州立大学。她有工作威士忌岛,恒星和即将在霍巴特。当她不教,肯德拉可以在家里与她的丈夫发现,看可怕的现实电视,并与她的四只猫拥抱。